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New track out now for the Touch: Displacing subscription series. ‘The Clap of the Fading-out Sound of Your Shoes’ is a piece composed of recordings throughout a city on pause, though not silent, during the early months of 2021. Roughly hewn around the edges, the track acts as a concrete mixer for the industrial materials of Los Angeles and the composer’s resonating, listening body within it.


11.3.20 Very pleased to announce a new solo record for 2020, Double Bind.

Out on Room40 now.

7.5.20 Livestream show from ProArts Gallery, Oakland with Teasips, Chris Brian Taylor, and Onkos.

6.20.20 Inclusion in Johanna Hedva’s sound installation God is an Asphyxiating Black Sauce at Klosterruine Berlin. Runs June 20 – August 3, 2020, and features an online experience component at

4.27.20 Pleased to have a new track, Perhaps You Can Understand My Question, included in the Touch Isolation Series. Subscribe to the entire program of 20+ new/unreleased works from Fennesz, Jana Windren, Yann Novak, Chris Watson, and others here.

3.27.20 My composition “The Oval Window” is part of The Broad Museum’s Infinite Drone program, an immersive online way to experience Yayoi Kusama’s Mirrored Infinity Room.
Press: PAPER Magazine, Dazed Digital, LA Magazine, Hypebeast

1.27.20 Two new remix projects out now:
Again and Again Until We Feel Nothing for Yann Novak’s Further Dismantling on Room 40

All the Rooms I Have Been Touched In (Metamix) for Madam Data’s All the Rooms I Have Been Touched in on Unheard Records

10.6.19 Performing at LAXART on October 6, 2019 at 7pm as part of Outside/In, curated by Hamza Walker. Anne Guthrie will also perform that night.

9.21.19 The score I composed for Petra Cortright’s new public artwork in downtown Chicago opens September 21, 2019 and screens nightly, projected onto the iconic Mart building.

9.13.19 Julien Creuzet’s solo exhibition at the Centre d’Art Neuch√Ętel runs September 13 – October 20, 2019, including a score I developed for his work.